We’re now getting close to filming time, and to prepare for that, we create a schedule and shotlist. The interview questions are designed to elicit the answers that will propel the video forward, and drive the audience to take action. If we’re making a documentary, we’ll then create a list of interview questions. Importantly, we now have a clear plan, like an architects blueprint of a house. The format of the script can vary: from an exact word-for-word document for something like a dramatised video, to more of a general description for a documentary. Now that we’ve got the Concept nailed, the next step is to create a script. And over the years I’ve developed a pretty good system to do this. My role is to work with you to come up with the best concept for your video. This is not something you need to work out alone. What is the most important challenge that your target market is facing? What style of video will they best resonate with? And what will drive them to take action?ĭon’t worry. How we decide on the Concept is by analysing your goals, and the needs of your audience. We also answer questions like, “will it contain animation?”, and “what will the tone and style of the video be?” This can vary from documentary video, to t raining video or face-to-camera addresses. We start with Concept Development, or identifying the type of video we’ll be creating for you. Pre-production involves all of the steps we take before we actually film your video. Let’s start with phase 1: Pre-Production. But by the time you’ve watched these videos you’ll know exactly what to expect. If this is the first time you’ll be commissioning a video, or the first time you’ve worked with Dream Engine, some of this will be a little new. One policy covered us on land, and another that covered us over water.In this series of three videos, you’re going to learn the steps involved in the video production process. Because we shot on land and over water, we were required to get two insurance policies. We shot on tall anchored ships and required film production insurance that protected us over water. This posed a problem with their jurisdictions. The production was more complicated than my earlier projects. On my short, The Pirate Captain Toledano, I went with an insurance company that I had known and worked with before. It’s good to establish a relationship with your insurer, too. Give yourself enough time to navigate potential insurance ‘hazards’ that would affect your policy or rate. Get quotes from different insurance providers. You probably won’t bind your insurance policy just yet, but it’s a good time to start calling around. They’ll be easy to share, and you can make updates on-the-fly.įILM PRODUCTION INSURANCE OVERVIEW 5.4. From development through distribution, all of your contacts, calendars, call sheets, and tasks will be cloud-based. If you’re using production management software like StudioBinder, you can organize and execute every step of your production workflow in one place. Without getting overwhelmed, you need to know that as big a deal as pre production is, it’s only one piece in a much larger puzzle. It’s critical to recognize that every phase in the film production cycle comes with unique responsibilities and challenges. In the production pipeline - development, pre production, production, post production, and distribution - pre production often involves the most heavy lifting. Keep in mind that during pre production, you’ll design and plan every step of making your film. Trust me, don’t take your eye off the fundraising ball.Īs with all events in your film production cycle, the sequence matters. I’ve seen too many features and shorts begin pre production before fundraising is done. Pre production should begin when you have enough money to get your film all the way through post production. HOW TO MAKE A SHORT FILM How much budget is needed to start?
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